To be frank, recently I have felt so stupid, so dazed, so empty-headed that I have truly doubted whether I am able to write anything new at all anymore. All the tangled chaos that the musical periodicals vomit thick and fast about the music of today has come to weigh heavily on me. . . .
– Béla Bartók, 1926
N.B. In the same year, W.B. Yeats wrote “Sailing to Byzantium”. Its opening line - That is no country for old men - seems to reflect commiseration.
Friend of AuthorScoop and memoirist-poet-writer-blogger, Kim Michele Richardson, asked us back for her annual invitational Valentine-athon.
Editor-in-Chief, William Haskins, breaks ground on this year’s festivities with a great piece on why you shouldn’t punt on the one day we set aside to make our feelings known.
Jamie Mason will be along later in the week with some commentary on the hues of St. Valentine’s Day.
Since the mid-1800s, Valentine’s cards have been big business in both England and America, and this commercialization of people’s most intimate feelings has spread to just about every other holiday, homogenizing most of our celebrations, both sacred and secular, to the point of cliché.
Billy Collins, former US Poet Laureate and one of America’s best-selling poets, reads his poem “The Best Cigarette” with animation by David Vaio of FAD:
Katy Guest presents a sharp profile of Dan Rhodes. (The Independent)
The British Library to offer more than 65,000 rare first editions of 19th Century fiction for free download this spring. (Telegraph)
Stanley Crouch on Ralph Ellison: “(His) basic idea was that human frailty determined what happened far more often than human idealism, but that idealism continued to live because—whenever it actually came through!—the results were so monumental that a naive optimism grew.” (The Daily Beast)
Mark Lawson sees in the death of Salinger the end of a “remarkable era in US literature.” (The Guardian)
Claire Messud muses on why there are so few female writers. (Guernica)
Bruce Fessier catches up with a very different Anne Rice. (The Desert Sun)
William Skidelsky tries to solve the baffling riddle of why Martin Amis always seem to be in the line of fire. (The Observer)
Mark Sanderson rounds up some interesting literary tidbits. (Telegraph)
“On this day in 1601, Shakespeare’s Richard II was presented at the Globe playhouse, a performance especially arranged by those hoping to overthrow Queen Elizabeth the following day.” (Today in Literature)
John Steinbeck’s TORTILLA FLATS gets a new review - mostly good.
THE POSTMISTRESS, by Sarah Blake, is made out to be a cure for snowed-in torpor: read it and come back to reality when the weather’s a little better, or at least until someone else has shoveled the drive.
Michele Voltaire Marcelin, an artist, poet, spoken word performer and teacher, was born in Port-au-Prince, Haiti. Since the earthquake struck that country last month, she has been struggling to make sense of the destruction.
Barnes & Noble announces its plans for Tikatok, five months after acquiring the award winning children’s book publishing website. (MarketWatch)
Doubleplusgood: Study by marketing group discovers 93% of eReader users are happy with the technology. (Electronista)
Justice Department still not happy with revised Google Settlement. (Publishers Weekly)
R.I.P. Hans L. Trefousse, historian and author. (NYTimes)
R.I.P. Susan Morgan, aka Zoe Barnes, aka Sue Dyson, author. (Daily News)
On this day in 1959, Carson McCullers hosted a small luncheon party in order that seventy-four-year-old Baroness Karen Blixen-Finecke (Isak Dinesen) could be introduced to Marilyn Monroe. (Today in Literature)