Tuesday Morning LitLinks
Tuesday, August 18th, 2009
A film version of Shirley Jackson’s 1962 novel We Have Always Lived in the Castle is being developed by Michael Douglas’ production company, Further Films.
The New Yorker features an excerpt from Dave Egger’s adaptation of the kiddo classic Where the Wild Things Are. The 300-page “loose adaptation” was inspired by his work on the script for the upcoming live-action film version.
Britain’s poet laureate Carol Ann Duffy talks about how her mother’s death affected her writing.
The Publisher Files breaks down the most (and least) used elements in cover design for fantasy books.
Texas writer’s retreat may be closed after more than 40 years to make way for a ecological research lab.
Joe Quirk takes on the income gap between writers and publishers.
The Bellwether Prize (25k and a publishing contract) opens for submissions next week.
If you could assign just one book to a young person, what would it be?
The Daily Beast’s Samuel Jacobs catches the “Mad Men” wave and offers some literary recommendations so that you, too, can “read like Don Draper”.
The National takes a look at Iran’s literary renaissance.
Reader’s Digest to seek bankruptcy protection.
Today in Literature: On this day in 1850, Honore de Balzac died at the age of fifty-one.
“Art in the blood is liable to take the strangest forms.”
“To be able to write a play a man must be sensitive, imaginative, naive, gullible, passionate; he must be something of an imbecile, something of a poet, something of a liar, something of a damn fool.”
“The cure for mixed metaphors, I have always found, is for the patient to be obliged to draw a picture of the result.” 
“For a long time now I have tried simply to write the best I can. Sometimes I have good luck and write better than I can.”
“Here I am paying big money to you writers and what for? All you do is change the words.”

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