Archive for the ‘Midnight Poetry’ Category

Midnight Poetry: “To Himself”

Thursday, January 29th, 2009

To Himself
(Aaron Kramer)

Finally it will not matter
how many kicked, how many kissed him—
how many rooms there were, how many rumors—
how many poisons were offered, or prizes—
how many salvos, how many silences.

It will mean nothing, nothing at all
whether anthologies nested his poems—
whether a critic called them bright birds—
whether they soared across heaven-smooth pages—
whether slumberers leapt at the tune.

Nothing will matter, nothing at all
except that his heart maintained its own beat,
his face its own hue, his foot its own thud,
his night its own vision, his soul its won heat,
his hand its own touch, his tongue its own word.

This will be all, on the day of days.
But meanwhile, what is a man to do—
a man, like everyone, flesh and blood?
How many times can he say to himself:
Hush, fool, hush! it will not matter,
not matter at all, not matter at all….

(Read more of Aaron Kramer’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Burning Trash”

Tuesday, January 27th, 2009

Burning Trash
(John Updike)

At night—the light turned off, the filament
Unburdened of its atom-eating charge,
His wife asleep, her breathing dipping low
To touch a swampy source—he thought of death.
Her father’s hilltop home allowed him time
To sense the nothing standing like a sheet
Of speckless glass behind his human future.
He had two comforts he could see, just two.

One was the cheerful fullness of most things:
Plump stones and clouds, expectant pods, the soil
Offering up pressure to his knees and hands.
The other was burning the trash each day.
He liked the heat, the imitation danger,
And the way, as he tossed in used-up news,
String, napkins, envelopes, and paper cups,
Hypnotic tongues of order intervened.
.

(Read more of John Updike’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “art, bitch”

Monday, January 26th, 2009

art, bitch
(S. A. Kelly)

amazing fuck-culture gurus
spit in furious faces
(gaping monkeys grumble)
naked statues glistening
flaccid stone penises
in a long pale hall
gawkers walk and ogle
camel-toe girls instead
(giggling cell phone snapshots)
grinning vampires gather later
in a coffee shop aroused
and (predictably)
unaware
.

(Read more from S.A. Kelly here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Love Poems. 20. Assorted Sizes.”

Sunday, January 18th, 2009

Love Poems. 20. Assorted Sizes.
(Seb)

1. When I am called to prophecy, it is your name I will sing/ I will curl my body around yours, as cold and tight and final as any wedding ring.
2. Love? I was stars torn down and the crashing swound, I was the breeze in your heart and I longed for tender slaughter.
3. We were dancing, to “Love Train” by the O’Jays and your small breasts, like fluttering birds were pressing against the sheer silk of your blood red dress/ It was not their shape it was not their promise, it was not their proximity, it was the freedom of the heart which drove them/which set fire to the want in me. I loved you there and then for that freedom/ I loved you beyond the tiny lights and the bass and the sweat and the whispers and the sway/ for the freedom in your yes, as you came to me and in your no as you drove away
4. The moon has called and the tide has marked my card/ My ever broken heart belongs to you – each dust grain smudged upon your finger, each sharp and fragile shard/ I will come any distance you call – each ecstatic mile, every gruelling, intolerable yard
5. A sunless smile, a sudden sight – you came to me, you banished night you lay nuclear clouds around my cock and stars around my head, fed me chicken soup to cure my cold and drove the addicts from my bed
6. I will navigate any length of night, from brilliant, burning corners to it’s cold, dark starless heart.
7. Her husband was an astronaut, lost to and lost in space. We would meet on Thursdays and lay in bed reading books all day, aloud to one another. She read me “everything that rises must converge” and I read her “beautiful losers” We would fuck three times before lunch then haze the day with red wine , Italian sausage and cocaine. It ended when she cut my name into her wrist and I did not have the courage to drive to the hospital in a rainstorm.
8. I have been lured and snared. I hungered for the voice I heard, yours was there.
9. We drank beer by the sparkling waters of the bay/ on a afternoon in perfect Marin County Spring/ I played Carole king songs for you, on my guitar/ you were barefoot, wearing Daisy Dukes, you’d laugh, you’d blush, you’d sing.
10. You say you cannot love me/until all my old lovers are dead/I say give me the weapon to kill them/ it’ s there, between your legs.
11. A passive neck, a peaceful blade, I was salt stripped from the water/pure to your blood, you pure to mine.
12. If I loved you for your body/ that would be alright. But, knowing no man ever loved a woman for her mind and lived/ I may not make it through tonight.
13. If you want me gone, I will burn to smoke and let the breeze leave no thing
14. As ash is to alum as love to desire – it is pure to the tongue but is it pure to the fire?
15. I remember your fedora hat, you overlarge teeth, your nasal laugh, your hunger for a Tim Horton’s double-double in the middle of the freezing Cleveland night, the stroke of your hand, the tiny gasp of air escaping you, your interior, your tiny ears and the way you would scream at spiders. You were magnificent.
16. “Kiss me now, you kissing fool” said the Mango to the Cherry/Not until I see your naked seed – this alone is necessary.
17. I rested my fingers on her wrist, and in whisper I did say “Lunch in Cincinnati, Breakfast in San Jose?”
18. I saw her at the Chevron station between Statesboro and Savannah/gassing up a green BMW 330i/in a royal blue polka dot dress and pearls, all bare arms in the fierce Georgia sun and a neck that stretched to the clouds
19. Who comes here through the ashes, who comes through the downpour. Who walks this dark, old hallway, love’s light lit, in spite of the monster that cowers behind my door?
20. And the moon leaves no trace, age marks no passage/on your flawless, child-like face/you for me will be always the moment/that I knew that I loved you.

(Read more of Seb’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Sensation”

Tuesday, January 13th, 2009

Sensation
(Arthur Rimbaud)

On the blue summer evenings, I shall go down the paths,
Getting pricked by the corn, crushing the short grass:
In a dream I shall feel its coolness on my feet.
I shall let the wind bathe my bare head.

I shall not speak, I shall think about nothing:
But endless love will mount in my soul;
And I shall travel far, very far, like a gipsy,
Through the countryside - as happy as if I were with a woman.

(Read more of Arthur Rimbaud’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “How Did I Become So Bloodied?”

Monday, January 12th, 2009

How Did I Become So Bloodied?
(Fei Wu)

Each day falls a hammer to the eye.
Crunching bone-sound of regrets,
suffocating as woolen polyester.
Thuds dulling, sounding as epithets.

How did I become so bloodied?
Stomach full of acid,
mouth foaming pink rosettes.

It seeps from my skin,
waters my surfaces, a sign of sin.

Predisposition, written in helix script -
my mother’s mourning eyes,
father’s heavy sigh.

Or was it learned behavior?
That all the brightness
eventually bleeds to grey.

(Read more of Fei Wu’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “In a Restaurant”

Saturday, January 10th, 2009

In a Restaurant
(Alexander Blok)

I’ll never forget (did it happen, or not,
That evening): the sunset’s fire
Consumed and split the pale sky,
And streetlamps flared against the yellow sunset.

I sat by the window in a crowded room.
Distant bows were singing of love.
I sent you a black rose in a goblet
Of champagne, golden as the sky.

You looked up. Embarrassed and bold, I met
Your haughty gaze, gave a nod.
To your suitor, deliberately abrupt,
You said: “That one’s in love, too.”

And strings rumbled in sudden answer,
Bows sang out in a frenzy…
But you were mine with all your youthful scorn
And the with the slight trembling of your hand…

You darted up like a startled bird
And passed by, light as my dream…
And your perfume wafted, your lashes drooped,
Your skirts whispered anxiously.

But from the mirror’s depths you threw me a glance
And your glance shouted “Catch me!”
While rattling her necklace, a gypsy danced
And screeched about love to the sunset.

19 April 1910

(Read more of Alexander Blok’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “We Wear the Mask”

Friday, January 9th, 2009

We Wear the Mask
(Paul Laurence Dunbar)

We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,-
This debt we pay to human guile;
With torn and bleeding hearts we smile,
And mouth with myriad subtleties.

Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.

We smile, but, O great Christ, our cries
To thee from tortured souls arise.
We sing, but oh the clay is vile
Beneath our feet, and long the mile;
But let the world dream otherwise,
We wear the mask!

(Read more of Paul Laurence Dunbar’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “A Trinity”

Thursday, January 8th, 2009

A Trinity
(Sara Spock)

Bottle bumps glass,
Dionysus sloshes
from galley to parlor
unaware or neglecting
the riot in his wake.

Pages slip open,
Maria wakes early
to pass on conviction,
judgment or design
by the treads of her feet.

Gravel crunches shoe
as Joshua ponders,
to linger, to quit.
Gods or saints
wont save him
tonight.

(Read more of Sara Spock’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Wild Geese”

Wednesday, January 7th, 2009

Wild Geese
(Mary Oliver)

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting -
over and over announcing your place
in the family of things.

(Read more of Mary Oliver’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “I Have Given Fair Warning”

Tuesday, January 6th, 2009

I Have Given Fair Warning
(Philip Lamantia)

I have given fair warning
Chicago New York Los Angeles have gone down
I have gone to Swan City with the ghost of Maldoror may still roam
The South is very civilized
I have eaten rhinoceros tail
It is the last night among crocodiles
Albion opens his fist in a palm grove
I shall watch speckled jewel grow on the back of warspilt horses
Exultation rides by
A poppy the size of the sun in my skull
I have given fair warning
at the time of corpses and clouds I can make love here as
anywhere

(Read more of Philip Lamantia’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Scouring Rock”

Tuesday, December 30th, 2008

Scouring Rock
(Richard Satterlie)

The wandering rains of
windswept canyons leach
rock and root from our
plotted path, leaving all
angles of good, rounded

My huffing cough gives you
warmth in its mist of life,
where our breasts touch
and our hearts yet fail to reach
the story we were promised

And a trickle of gullied water
swells to our ankles and sings
of Spring’s seeds, scouring
their hard coatings against
the rock of our next years

our hope, germination

You walk ahead, into the driving
rain, neither sheltering your soul
nor blocking mine, your fine
hair a clotted wrath, leaving all
angles of good, confounded

Your hasty steps, in water
and weed leave me without
pads of synergy to touch,
I fail to grasp the distancing
story you once promised

And through the rain your
silhouette disappears to meet
another whose seeds don’t need
the scouring rock of me
I fall to my knees

no hope, germination

(Read more about Richard Satterlie here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Upon Drinking With an Old Man”

Monday, December 29th, 2008

Upon Drinking With an Old Man
(William Haskins)

with the snapping slap
of a credit card,
we turned the night
from beer to hard-
stuff lining the wall
behind the bar;

“we’ll sample them all,”
he said, and
i’ll be damned
if he wasn’t right.

his memories
spanned centuries,
landscapes mangled
and twisted; brought low
by rot and violence;
even in silence,
the world inside
him shivered.

and so we drank
through histories
i cannot measure
until our senses dulled
and lulled us into lies.

on a rainslick sidewalk,
we parted ways—

he, to stumble
back through the past;
me, to tremble
before the night.

(Read more of William Haskins’ poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Miracles”

Sunday, December 28th, 2008

Miracles
(Conrad Aiken)

Twilight is spacious, near things in it seem far,
And distant things seem near.
Now in the green west hangs a yellow star.
And now across old waters you may hear
The profound gloom of bells among still trees,
Like a rolling of huge boulders beneath seas.

Silent as though in evening contemplation
Weaves the bat under the gathering stars.
Silent as dew, we seek new incarnation,
Meditate new avatars.
In a clear dusk like this
Mary climbed up the hill to seek her son,
To lower him down from the cross, and kiss
The mauve wounds, every one.

Men with wings
In the dusk walked softly after her.
She did not see them, but may have felt
The winnowed air around her stir;
She did not see them, but may have known
Why her son’s body was light as a little stone.
She may have guessed that other hands were there
Moving the watchful air.

Now, unless persuaded by searching music
Which suddenly opens the portals of the mind,
We guess no angels,
And are contented to be blind.
Let us blow silver horns in the twilight,
And lift our hearts to the yellow star in the green,
To find perhaps, if, while the dew is rising,
Clear things may not be seen.

(Read more of Conrad Aiken’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “if strangers meet”

Friday, December 26th, 2008

if strangers meet
(ee cummings)

if strangers meet
life begins-
not poor not rich
(only aware)
kind neither
nor cruel
(only complete)
i not not you
not possible;
only truthful
-truthfully,once
if strangers(who
deep our most are
selves)touch:
forever

(and so to dark)

(Read more of ee cummings’ poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: Thomas Hardy

Thursday, December 25th, 2008

The Oxen
(Thomas Hardy)

Christmas Eve, and twelve of the clock
‘Now they are all on their knees.’
An elder said as we sat in a flock
By the embers in hearthside ease.
We pictured the meek mild creatures where
They dwelt in their strawy pen
Nor did it occur to one of us there
To doubt they were kneeling then.
So fair a fancy few would weave
In these years! Yet I feel,
If someone said on Christmas Eve,
‘Come, see the oxen kneel.’
In the lonely barton by yonder coomb
Our childhood used to know
I should g with him in the gloom,
Hoping it might be so.
.
(For more on this poem, click here)

(Read more of Thomas Hardy’s poetry here)

(Read more Christmas poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “The Voyage”

Friday, December 19th, 2008

The Voyage
(Karl Shapiro)

The ship of my body has danced in the dance of the storm
And pierced to the center the heavy embrace of the tide;
It has plunged to the bottomless trough with the knife of its form
And leapt with the prow of its motion elate from the bride.

And now in the dawn I am salt with the taste of the wave,
Which lies with itself and suspires, her beauty alseep,
And I peer at the fishes with jaws that devour and rave
And hunt in her dream for the wrack of our hands in the deep.

But the wind is the odor of love that awakes in the sun
The stream of our voyage that lies on the belt of the seas,
And I gather and breathe in the rays of the darkness undone,
And drift in her silence of morning and sail at my ease,

Where sponges and rubbery seaweeds and flowers of hair
Uprooted abound in the water and choke in the air.

(Read more of Karl Shapiro’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “When a Cello is Played”

Thursday, December 18th, 2008

When a Cello is Played
(Kevin Craig)

the strings,
when they sing,
command the bow
to sleep
the slithered dream.
the body,
like the arc
of a dove’s grey belly,
catches your breath,
hints at a Botticelli
between your thighs,
that voluptuous curve
sublime.
its f-holes seductive,
slick esses to
entrance the eye,
a vibrato rush
and desire
to caress the strings
while they sing.
a glissando quavers
through the silence,
holds for a spell
and your breath
is willingly
taken away.

(Read more of Kevin Craig’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “shiny new playground”

Monday, November 24th, 2008

shiny new playground
(Kim Michele Richardson)

hold my hand boy
say good bye
is parting such sweet sorrow
when the heart doesn’t cry

off to cali lights
that never grow dim
where you’ll bury your pains
keep them hidden within

on a shiny new playground
you can play
no broken hearts
to litter the way

just another tradeoff
to hide from the truth
why are you running boy
what will you prove

see your playground
all glittered in gold
sparkling from another’s tears
it’s this i know

you can lie to yourself
but you can’t lie to me
you can cloak your soul
so the world won’t see

but don’t you know boy
you can’t trade your soul
for a shiny new playground

glittered in gold

(Read more of Kim Michelle Richardson’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Watercolor Callisto”

Tuesday, November 18th, 2008

Watercolor Callisto
(Trish Stewart)

Wax repels water.
So I drew what I could not see,
connecting the dots blind,
on the surface first.

I pressed too hard – a sacrifice of precision
for urgency.
So thirsty and oh so dizzy,
my desperation born of age and monotony.

I bit my dry lip,
swiped my hand and blew
the crumbled bits of crayon from the page.
Flecks scattered to the edge,
then beyond.

Dot line dot streak dot line dot.
Invisible to my eye until revealed in stained relief.

The bristles laden with color –
blue, black, blue.
And then we see her;
Callisto in her night sky
BearMother sent to the heavens but
never to roam below the horizon,
never to drink.

Callisto, I, Callisto.

I gave her a lake –
black, blue, black –
White peeking through.
I placed her reflection
on moon-streaked water –
yellow, white, yellow, blur.
Her thirst quenched.

Then imagined the current
ending her True North Spinning -
the waves teaching her to dance.

Freeing Callisto, freeing me,
in watercolor relief.

(Read more of Trish Stewart’s poetry here)