Archive for the ‘Midnight Poetry’ Category

Midnight Poetry: “Alone”

Friday, November 14th, 2008

Alone
(Edgar Allen Poe)

From childhood’s hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view..

(Read more of Poe’s work here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Pretty Halcyon Days”

Thursday, November 13th, 2008

Pretty Halcyon Days
(Ogden Nash)

How pleasant to sit on the beach,
On the beach, on the sand, in the sun,
With ocean galore within reach,
And nothing at all to be done!
No letters to answer,
No bills to be burned,
No work to be shirked,
No cash to be earned,
It is pleasant to sit on the beach
With nothing at all to be done!
How pleasant to look at the ocean,
Democratic and damp; indiscriminate;
It fills me with noble emotion
To think I am able to swim in it.
To lave in the wave,
Majestic and chilly,
Tomorrow I crave;
But today it is silly.
It is pleasant to look at the ocean;
Tomorrow, perhaps, I shall swim in it.

How pleasant to gaze at the sailors.
As their sailboats they manfully sail
With the vigor of vikings and whalers
In the days of the vikings and whale.
They sport on the brink
Of the shad and the shark;
If its windy they sink;
If it isn’t, they park.
It is pleasant to gaze at the sailors,
To gaze without having to sail.

How pleasant the salt anesthetic
Of the air and the sand and the sun;
Leave the earth to the strong and athletic,
And the sea to adventure upon.
But the sun and the sand
No contractor can copy;
We lie in the land
Of the lotus and poppy;
We vegetate, calm and aesthetic,
On the beach, on the sand, in the sun.
.

(Read more of Nash’s work here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “A Dirge”

Wednesday, November 12th, 2008

A Dirge
(Algernon Charles Swinburne)

A BELL tolls on in my heart
As though in my ears a knell
Had ceased for awhile to swell,
But the sense of it would not part
From the spirit that bears its part
In the chime of the soundless bell.

Ah, dear dead singer of sorrow,
The burden is now not thine
That grief bade sound for a sign
Through the songs of the night whose morrow
Has risen, and I may not borrow
A beam from its radiant shrine.

The burden has dropped from thee
That grief on thy life bound fast;
The winter is over and past
Whose end thou wast fain to see.
Shall sorrow not comfort me
That is thine no longer—at last?

Good day, good night, and good morrow,
Men living and mourning say.
For thee we could only pray
That night of the day might borrow
Such comfort as dreams lend sorrow:
Death gives thee at last good day.

(Read more of Swinburne’s work here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: The Mask of Anarchy

Saturday, November 8th, 2008

The Mask of Anarchy (an excerpt)
(Percy Bysshe Shelley)

As I lay asleep in Italy
There came a voice from over the Sea,
And with great power it forth led me
To walk in the visions of Poesy.

I met Murder on the way -
He had a mask like Castlereagh -
Very smooth he looked, yet grim;
Seven blood-hounds followed him:

All were fat; and well they might
Be in admirable plight,
For one by one, and two by two,
He tossed the human hearts to chew
Which from his wide cloak he drew.

Next came Fraud, and he had on,
Like Eldon, an ermined gown;
His big tears, for he wept well,
Turned to mill-stones as they fell.

And the little children, who
Round his feet played to and fro,
Thinking every tear a gem,
Had their brains knocked out by them.

Clothed with the Bible, as with light,
And the shadows of the night,
Like Sidmouth, next, Hypocrisy
On a crocodile rode by.

And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, or spies.

Last came Anarchy: he rode
On a white horse, splashed with blood;
He was pale even to the lips,
Like Death in the Apocalypse.

(Read the complete poem here and more of Shelley’s work here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Native Tongue”

Monday, November 3rd, 2008

Native Tongue
(William Haskins)
.

Speak to me in
your native tongue -
that birdsong
borne of
instinct’s flood,

a flash of light and
rush of blood

(Read more of William Haskins’ poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Baby Lazarus”

Wednesday, October 29th, 2008
.
Baby Lazarus
(Jackie Kay)
.
.
When I got home
I went out into the garden
Liking it when the frost bit
My old brown boots
And dug a hole the size of a baby
And buried the clothes
I’d bought anyway, just in case.

A week later I stood at my window
And saw the ground move
And swell the promise of a crop;
That’s when she started crying.

I gave her a service then
Sang Ye Banks And Braes
Planted a bush of roses
Read from the Bible, the book of Job
Cursed myself digging a pit for my baby
Sprinkling ash from the grate.

Late that same night
She came in by the window
My baby Lazarus
And suckled at my breast.

(Read more of Jackie Kay’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “The Place of the Damned”

Monday, October 27th, 2008
.
The Place of the Damned
(Jonathan Swift, 1731)
.
.
All folks who pretend to religion and grace,
Allow there’s a HELL, but dispute of the place:
But, if HELL may by logical rules be defined
The place of the damned -I’ll tell you my mind.
Wherever the damned do chiefly abound,
Most certainly there is HELL to be found:
Damned poets, damned critics, damned blockheads, damned knaves,
Damned senators bribed, damned prostitute slaves;
Damned lawyers and judges, damned lords and damned squires;
Damned spies and informers, damned friends and damned liars;
Damned villains, corrupted in every station;
Damned time-serving priests all over the nation;
And into the bargain I’ll readily give you
Damned ignorant prelates, and counsellors privy.
Then let us no longer by parsons be flammed,
For we know by these marks the place of the damned:
And HELL to be sure is at Paris or Rome.
How happy for us that it is not at home!

(Read more of Jonathan Swift’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Before the Flood”

Monday, October 20th, 2008
.
Before the Flood
(W.S. Merwin)
.
.
Why did he promise me
that we would build ourselves
an ark all by ourselves
out in back of the house
on New York Avenue
in Union City New Jersey
to the singing of the streetcars
after the story
of Noah whom nobody
believed about the waters
that would rise over everything
when I told my father
I wanted us to build
an ark of our own there
in the back yard under
the kitchen could we do that
he told me that we could
I want to I said and will we
he promised me that we would
why did he promise that
I wanted us to start then
nobody will believe us
I said that we are building
an ark because the rains
are coming and that was true
nobody ever believed
we would build an ark there
nobody would believe
that the waters were coming

(Read more of W.S. Merwin’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “To S. M., a Young African Painter…”

Friday, October 17th, 2008
.
To S. M., a Young African Painter, On Seeing His Works
(Phyllis Wheatley)
.
.
To show the lab’ring bosom’s deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learn from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond’rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the paint’s and the poet’s fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown’d with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.

Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless’d,
May peace with balmy winds your soul invest!
But when these shades of time are chas’d away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav’nly murmurs flows,
And there my muse with heav’nly transport glow:
No more to tell of Damon’s tender sighs,
Or rising radiance of Aurora’s eyes,
For nobler themes demand a nobler strain,
And purer language on th’ ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.

(Read more of  Phyllis Wheatley’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “To Good Guys Dead”

Wednesday, October 15th, 2008
.
To Good Guys Dead
(Ernest Hemingway)
.
.
They sucked us in;
King and country,
Christ Almighty
And the rest.
Patriotism,
Democracy,
Honor–
Words and phrases,
They either bitched or killed us.

(Read more of Ernest Hemingway’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Drunk as Drunk”

Monday, October 13th, 2008
.
Drunk as Drunk
(Pablo Neruda)
.
.
Drunk as drunk on turpentine
From your open kisses,
Your wet body wedged
Between my wet body and the strake
Of our boat that is made of flowers,
Feasted, we guide it - our fingers
Like tallows adorned with yellow metal -
Over the sky’s hot rim,
The day’s last breath in our sails.

Pinned by the sun between solstice
And equinox, drowsy and tangled together
We drifted for months and woke
With the bitter taste of land on our lips,
Eyelids all sticky, and we longed for lime
And the sound of a rope
Lowering a bucket down its well. Then,
We came by night to the Fortunate Isles,
And lay like fish
Under the net of our kisses.

(Read more of Pablo Neruda’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Here is a Wound”

Friday, October 10th, 2008
.
Here Is a Wound
(Edna St. Vincent Millay)
.
.
Here is a wound that never will heal, I know,
Being wrought not of a dearness and a death,
But of a love turned ashes and the breath
Gone out of beauty; never again will grow
The grass on that scarred acre, though I sow
Young seed there yearly and the sky bequeath
Its friendly weathers down, far underneath
Shall be such bitterness of an old woe.
That April should be shattered by a gust,
That August should be levelled by a rain,
I can endure, and that the lifted dust
Of man should settle to the earth again;
But that a dream can die, will be a thrust
Between my ribs forever of hot pain.

(Read more of Edna St. Vincent Millay’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Mutability”

Thursday, October 9th, 2008
.
Mutability
(William Wordsworth)
.
.
From low to high doth dissolution climb,
And sink from high to low, along a scale
Of awful notes, whose concord shall not fail;
A musical but melancholy chime,
Which they can hear who meddle not with crime,
Nor avarice, nor over-anxious care.
Truth fails not; but her outward forms that bear
The longest date do melt like frosty rime,
That in the morning whitened hill and plain
And is no more; drop like the tower sublime
Of yesterday, which royally did wear
His crown of weeds, but could not even sustain
Some casual shout that broke the silent air,
Or the unimaginable touch of Time.

(Read more of William Wordsworth’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Reconciliation”

Wednesday, October 8th, 2008
.
Reconciliation
(Walt Whitman)
.
Word over all, beautiful as the sky,
Beautiful that war and all its deeds of carnage must in time be utterly lost,
That the hands of the sisters Death and Night incessantly softly wash again,
and ever again, this soil’d world;
For my enemy is dead, a man divine as myself is dead,
I look where he lies white-faced and still in the coffin–I draw near,
Bend down and touch lightly with my lips the white face in the coffin.

(Read more of Walt Whitman’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “It ain’t what you do it’s what it does to you”

Monday, October 6th, 2008
.
It ain’t what you do it’s what it does to you
(Simon Armitage)
.
.
I have not bummed across America
with only a dollar to spare, one pair
of busted Levi’s and a bowie knife.
I have lived with thieves in Manchester.

I have not padded through theTaj Mahal,
barefoot, listening to the space between
each footfall picking up and putting down
its print against the marble floor. But I

skimmed flat stones across Black Moss on a day
so still I could hear each set of ripples
as they crossed. I felt each stones’ inertia
spend itself against the water; then sink.

I have not toyed with a parachute cord
while perched on the lip of a light aircraft;
but I have held the wobbly head of a boy
at the day centre, and stroked his fat hands.

And I guess that the tightness in the throat
and the tiny cascading sensation
somewhere inside us are both part of that
sense of something else. That feeling, I mean.

(Read more of Simon Armitage’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Tarantella”

Sunday, October 5th, 2008
.
Tarantella
(Hilaire Belloc)
.
Do you remember an Inn,
Miranda?
Do you remember an Inn?
And the tedding and the bedding
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of tar?
And the cheers and the jeers of the young muleteers
(Under the vine of the dark veranda)?
Do you remember an Inn, Miranda,
Do you remember an Inn?
And the cheers and the jeers of the young muleteers
Who hadn’t got a penny,
And who weren’t paying any,
And the hammer at the doors and the din?
And the hip! hop! hap!
Of the clap
Of the hands to the swirl and the twirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of the clapper to the spin
Out and in–
And the ting, tong, tang of the guitar!
Do you remember an Inn,
Miranda?
Do you remember an Inn?

Never more;
Miranda,
Never more.
Only the high peaks hoar;
And Aragon a torrent at the door.
No sound
In the walls of the halls where falls
The tread
Of the feet of the dead to the ground,
No sound:
But the boom
Of the far waterfall like doom.

(Read more of Hilaire Belloc’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “It is Much”

Saturday, October 4th, 2008
.
It is Much
(Carl Sandburg)
.

Women of night life amid the lights
Where the line of your full, round throats
Matches in gleam the glint of your eyes
And the ring of your heart-deep laughter:
…..It is much to be warm and sure of to-morrow.

Women of night life along the shadows,
Lean at your throats and skulking the walls,
Gaunt as a bitch worn to the bone,
Under the paint of your smiling faces:
…..It is much to be warm and sure of to-morrow.

(Read more of Carl Sandburg’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Endnote”

Friday, October 3rd, 2008
Endnote
(Hayden Carruth)
.
.
The great poems of
our elders in many
tongues we struggled

to comprehend who
are now content with
mystery simple

and profound you
in the night your
breath your body

orbit of time and
the moment you
Phosphorus and

Hesper a dark circle
of fertility so
bloodthirsty for us

you in the world
the night breathing
asleep and alive.

(Read more of Hayden Carruth’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “What Can I Give Thee Back, O Liberal”

Wednesday, October 1st, 2008

What Can I Give Thee Back, O Liberal
(Elizabeth Barrett Browning)
.


.
What can I give thee back, O liberal
And princely giver, who hast brought the gold
And purple of thine heart, unstained, untold,
And laid them on the outside of the wall
For such as I to take or leave withal,
In unexpected largesse? am I cold,
Ungrateful, that for these most manifold
High gifts, I render nothing back at all?
Not so; not cold, -but very poor instead.
Ask God who knows. For frequent tears have run
The colours from my life, and left so dead
And pale a stuff, it were not fitly done
To give the same as pillow to thy head.
Go father! let it serve to trample on.

(Read more of Elizabeth Barrett Browning’s poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.

Midnight Poetry: “Alea Jacta Est”

Tuesday, September 30th, 2008
.
Alea Jacta Est

(William Haskins)
.

in fury’s grasp
or throes of pain,
when nightmares stalk
the waking brain,
and monsters wear
the masks of men—

still the mind,
move the pen.

beneath the heel
of tyrants’ wrath,
when robber-barons
plot your path,
to journey through
the vipers’ den—

steel the soul,
move the pen.

and when the
final die is cast,
each breath connected
to your last,
a matter of
not if, but when—

steal the night,
move the pen.

(Read more of William Haskins’ poetry here)

Editor’s note: ‘Midnight Poetry’ is a showcase for work by poets across the spectrum—from the pantheon of literary giants to contemporary, underground and new voices.

If you would like to submit your work for consideration, please see our Submission Guidelines.