I was lucky enough to get a sneak peek at an advanced copy of WHITE HORSE (which hit bookstores last Tuesday) but decided to hold on to my review until you could get your hands on it. ‘Cause you’re going to want to.

If you survived the end of the world, what would you become? Surely you don’t imagine you’d remain the very same you, the you that you’ve come to know and love (and self-loathe at intervals.) Would you become a hero? A hermit? Or perhaps a looter, or a lunatic?

What is there left after every achievement you’ve gained in life becomes meaningless and you’re stranded on the ashy other side of all you’ve ever known? Once someone (or something) has pushed the reset button on civilization, who will you be? And what will you cling to?

Hopefully, these kinds of questions are all just hypothetical exercises for us here on AuthorScoop, but as I’ve always said, fiction is the best way to exercise your mental muscles for empathy, outrage, compassion, judgment, and interpretation. As such, Alex Adams’ WHITE HORSE is one hell of a workout.

In her debut novel, Adams treads a tightrope of excellent words over an abyss of death and destruction. And what little umbrella does she employ to balance against the gusts? Hope.

WHITE HORSE tells the story of Zoe Marshall’s trek across a world ravaged by a disease dubbed White Horse. She goes through wicked trials in her trans-Atlantic journey, fighting despair and digging for decency and dignity in her darkest moments. She risks all that’s left in the search for the man she loves, in the hope that he has somehow survived the plague. Zoe jousts villains and collects allies from those who remain - the small percentage of people who have natural immunity from the virus, and also the others, a scattering of the changed: the ones who didn’t die, but didn’t exactly survive, either - not recognizably as themselves, at any rate.

This isn’t for the squeamish. But what apocalypse really is, if we’re being honest?

Highly recommended.

Get it at your favorite place to buy books. If that’s online, start here.

As a paving stone on the path to something much bigger, friend to AuthorScoop, Graeme Cameron, is offering up BREAKFAST IN PARIS, a wonderful short story, for free download to Nook, Kindle, or whatever gadget you may use for reading. (Kindle download) (All other formats)

From the jacket copy:

At a sidewalk café on a bustling Parisian avenue, a man awaits a rendezvous with the woman of his dreams.  But as anticipation turns to dread, is he about to wake with a start?

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If you haven’t got an ereader, both Barnes & Noble and Amazon offer free ereader software for your PC, Mac, tablet, or smartphone. (And if you tell me you haven’t got one of those, I’m going to look at you funny and ask how you’re reading this.)

Get it – the software and the story. You’ll love it. And if I’m right (which I am) do take a moment to voice your approval with stars, or even a review.

This is the start of something wonderful.

(Note: A quirk of Amazon has the story initially listed at $.99 through the Kindle link, but it will revert to a free download soon. Now, I’m sure Graeme wouldn’t object to a cut of the nearly-a-buck, but if ya like, the other link has the Kindle download free of charge immediately - just save the .mobi format to your ‘My Kindle Content’ and synch your device/app. Et voilà!)

Publishing news can be big, but sometimes it’s only big on a small-ish level. As such, I’d like to share my news:

So here’s the thing, fiction titles come in basically three varieties. You’ve got your titles that nod to the theme of the story, titles that draw from the plot, either directly or obliquely, and then the bead-stringing type of titles that keep a series going (ONE FOR THE MONEY, TWO FOR THE DOUGH, etc. from Evanovich, Dean Koontz’s ODD books, and also Sue Grafton’s alphabetically-spaced suspense novels; that sort of thing.)

In the case of THE LIAR’S MARGIN, when it came time to put a name to the manuscript, I liked the idea that the crimes, mistakes, and character flaws that drive this story around its bends are basically lies that fall in a range of little-and-white to sooty-and-irreversible. It occurred to me that even our memories of events are filed away in a perimeter around what actually happened - the Truth, as it were.

The good folks at Gallery Books, however, had a different take on things. My terrific editor, Karen Kosztolnyik, steered me to thinking towards the plot for a title, rather than to the theme.

So I had a think and then a few handfuls of hair gripped from my scalp - lather, rinse, repeat. Such is the titling way, until you’ve paced a dull spot into the floor’s finish and you need to buy a hat.

But eventually I caught a thread that led somewhere; something that made a tiny bit of sense. And since it’s very important to the story that more than one person lands in a physical hole, or a metaphorical one, I’m happy to announce the new title of my debut novel, due to hit the shelves in February 2013:

It’s rhythmically pleasing, definitely suspense-y, and it cuts its eyes at the black humor that gives the story its bones. I like it. THREE GRAVES FULL.

Strictly speaking, AuthorScoop is not a book review site, but occasionally we’ll come across something in our private reading that really calls for a crowing. As such, here I go.       -Jamie Mason

I’ve always loved mythologies. Like most of my American contemporaries, Greek and Roman myths were part of our school curriculum. On my own, I sought out Native American and Norse tales. As I let them, they spilled the secrets of the forces and spirits that put color and flourish over the grey cogs of physics and rationalism. I’ve loved these stories for the freedom from the strictly literal that they offer; the chance to swim in what it says of humanity in the stories we invent to explain the universe.

I had certainly heard of India’s rich fables and parables, particularly, the Bhagavad Gita. But I didn’t know of its larger contextual epic, The Mahabharata. And I also didn’t know that I was poorer for it.

I had read Sharon Maas (writing here as Aruna Sharan) several years ago. Her gorgeous and riveting, OF MARRIAGEABLE AGE, is a treasure to me, as it is currently (but perhaps not for long) out of print. I was delighted for the opportunity to read a new work of hers.

SONS OF GODS: THE MAHABHARATA RETOLD is kaleidoscopic in its beauty and intricacy. The hurdle of the tale’s massive scope has always daunted translators, and the difficulty of prising the right tone from an ancient grand epic to suit a modern and Western audience has relegated it to largely academic obscurity.

What’s saved it for us is that Aruna Sharan knows full well that love, betrayal, lust, envy, pride, devotion, and heroism never go out of style. SONS OF GODS is a literary soap opera with a soul that spans the full horizon.

Love for the panoramic story itself and the patience of more than three decades of careful crafting has solved the literary puzzle of how to present it for an audience in the digital age. Aruna Sharan is well-suited in both talent and passion to deliver a new classic for lovers of mythology.

The unique category of mythology also makes SONS OF GODS a clever fit for Amazon’s Kindle publishing as a proving ground for its appeal. The price is incredible for a work of such excellence. Still, I hope for the day to hold it hardbound in my hands, as well. This isn’t just a book, it’s the Universe explained.

On April 17th, Simon & Schuster, Atria and its imprint, Emily Bestler Books, will roll out a major release, Alex Adams’ WHITE HORSE.

But right now, there’s a little window of opportunity to win an Advanced Review Copy of the book, by heading over to her blog and weighing in on one question:

In White Horse, one of the few possessions Zoe carries with her is a toy monkey—a favorite from her childhood. If the world was ending, and you were on the run, what one thing (not a person or a pet) would you take with you?

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If the hero in your head loves to ponder apocalyptic what-ifs delivered in zipping style, then WHITE HORSE is for you. Why not have it sooner than later?

With all the publishing news that swirls around this site, it’s always nice when it hits close to home.

And this is about as close as it gets.

AuthorScoop’s managing editor, Jamie Mason, has sealed the deal for her debut novel, THE LIAR’S MARGIN (retitled, THREE GRAVES FULL) which will be published in 2013 by Simon & Schuster imprint, Gallery Books.

We, of course, send out our heartfelt congratulations to Jamie and wish her great success. It’s also the perfect opportunity to express my personal gratitude for her tireless efforts on this site.

Kudos, Jamie. You earned it.

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The New York Times hosts a podcast book review of Touré’s, WHO’S AFRAID OF POST BLACKNESS?

THE QUEST: ENERGY, SECURITY, AND THE REMAKING OF THE MODERN WORLD, by David Yergin, is on tap at The Los Angeles Times.

The Washington Times seems to have enjoyed the collection, F. SCOTT FITZGERALD: A SHORT AUTOBIOGRAPHY, edited by James L.W. West III.

And The Telegraph has a look at Christopher Hitchen’s, ARGUABLY ESSAYS.

UPDATE: Ms. Carroll has responded to an article in Dublin’s Metro Herald (reproduced here via Broadsheet.ie) with goodnessgraciousme outrage at the accusation of plagiarism.

“I wasn’t lifting expressions from TV shows - I haven’t even seen Sex and the City for years.”

Ms. Carroll asserts that we live in ‘a pop culture’ and that these expressions have creeped into everyday use.

“…who knows what is original anymore?”

The Metro Herald has expanded on the the list of awfully similar lines and scene set-ups to include excerpts from the American sitcom, Will & Grace, as part of the pop culture machine that seems to serve as a spoon-feeding Muse to Ms. Carroll’s efforts.

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(originally posted May 23, 2011)

At the intersection of a reader’s nearly photographic memory and a chick-lit author’s quippy prose, we find a question that feels almost rhetorical: how is this okay?

Irish author, Claudia Carroll, is coming under scrutiny for passages in her novel, PERSONALLY I BLAME MY FAIRY GODMOTHER, passages that eagle-eyed reader-writer-blogger Charlee Iddon recognized as lifted, almost verbatim, from popular television and literature sources - ‘Sex and the City’, ‘Friends’, and the ‘Bridget Jones’ series.

From the post at Before Charlee’s 30:

Here are just a few examples, and believe me when I tell you, they are the tip of the iceberg:

Carroll writes:
My top tip is to destroy all photos of you as a couple where he looks hot and you look happy it could set the whole recovery process back months if you happen to stumble across it at a weak moment

Anyone that watches Sex and the city will remember this line (book and show):
my top break up rule - destroy all pictures where he looks sexy and you look happy if you happen to stumble across it in a weak moment it could set the recovery process back by months

Carroll: I’ve always thought the witch in Hansel and Gretel is a deeply misunderstood woman. She builds her dream home and two brats come along and eat it?

SATC: But the witch in Hansel and Gretel — she’s very misunderstood. I mean, the woman builds her dream house and these brats come along and start eating it

<snip>

Carroll: I think she realises that there’s rock bottom followed by another 500 feet of crap before you finally arrive at where I’m at right now.

Friends: I really thought I just hit rock bottom. But today, it’s like there’s rock bottom, then 50 feet of crap, then me

But no one watches Friends or Sex and the City any more do they? Oh they do? Well Carroll obviously doesn’t think that matters, but then they are American and she is Irish maybe she thinks it doesn’t count if they are on a different continent.

Oh no she also likes to plagiarise closer to home:

Bridget Jones: He’s just a big knob head with no knob

Carroll:
He’s a big nob head with no nob (oh but she left the K off, that makes it different surely? Erm NO!)

Plagiarism is a serious accusation and, on the surface, these similarities appear brazen. As the social media sites buzz with speculation, AuthorScoop will keep a cyber-eye out and will update with any response from Ms. Carroll’s camp (or any other interested party’s) as it becomes available.

Congratulations to the 2011 Pulitzer Prize winners (via official site):

Journalism

PUBLIC SERVICE - Los Angeles Times
BREAKING NEWS REPORTING - No Award
INVESTIGATIVE REPORTING - Paige St. John of the Sarasota Herald-Tribune
EXPLANATORY REPORTING - Mark Johnson, Kathleen, Gallagher, Gary Porter, Lou Saldivar and Alison Sherwood of the Milwaukee Journal Sentinel
LOCAL REPORTING - Frank Main, Mark Konkol and John J. Kim of the Chicago Sun-Times
NATIONAL REPORTING - Jesse Eisinger and Jake Bernstein of ProPublica
INTERNATIONAL REPORTING - Clifford J. Levy and Ellen Barry of The New York Times
FEATURE WRITING - Amy Ellis Nutt of The Star-Ledger, Newark, N.J.
COMMENTARY - David Leonhardt of The New York Times
CRITICISM - Sebastian Smee of The Boston Globe
EDITORIAL WRITING - Joseph Rago of The Wall Street Journal
EDITORIAL CARTOONING - Mike Keefe of The Denver Post
BREAKING NEWS PHOTOGRAPHY - Carol Guzy, Nikki Kahn and Ricky Carioti of The Washington Post
FEATURE PHOTOGRAPHY - Barbara Davidson of the Los Angeles Times
Letters, Drama and Music

FICTION - “A Visit from the Goon Squad” by Jennifer Egan (Alfred A. Knopf)

DRAMA - “Clybourne Park” by Bruce Norris

HISTORY - “The Fiery Trial: Abraham Lincoln and American Slavery” by Eric Foner (W. W. Norton & Company)

BIOGRAPHY - “Washington: A Life” by Ron Chernow (The Penguin Press)

POETRY - “The Best of It: New and Selected Poems” by Kay Ryan (Grove Press)

GENERAL NONFICTION - “The Emperor of All Maladies: A Biography of Cancer” by Siddhartha Mukherjee (Scribner)

MUSIC - “Madame White Snake’” by Zhou Long, premiered on February 26, 2010 by Opera Boston at the Cutler Majestic Theatre.

In 2008, I interviewed Terri Cheney about her book, MANIC: A MEMOIR. It was only my second interview and I was quite nervous, but that recording remains one of the most listened-to in the series. And it’s certainly not because of me. It’s because the book is remarkable.

Of all the books I’ve lent or suggested over the years, this is the single volume that has brought back the most commentary and the most heartfelt thanks for the recommendation. For many, it is a life-changing read.

And now it has a companion volume.

THE DARK SIDE OF INNOCENCE: GROWING UP BIPOLAR, is Terri Cheney’s riveting new memoir. It draws back to her furthest recollections of the destructive force inside her, now framed in the context of her diagnosis.

This is no weepy account of a broken childhood. There are certainly occasions that call for pure sympathy, and tragic memoirs are a valuable gift from their authors. But what sets Ms. Cheney’s work apart is the words. She is a writer first, a bipolar patient second. Through the employ of just the right language to explain her inner world, Terri Cheney switches our track from sympathy to empathy. And the difference is profound.

THE DARK SIDE OF INNOCENCE is a hard course over ground opened by insight and clarity. I would say it was unflinching, but I imagine she flinched quite a bit in the writing and remembering, but she clasps the reader firmly – for her fortification, and for ours.

If you are affected by bipolar disorder, personally or peripherally, I cannot recommend this book enough. If you’re not, I recommend it even more.

***

Find out more about Terri Cheney and her work at her website and follow her newly launched column, The Bipolar Lens, at Psychology Today’s online magazine.

The Atlantic raises and eyebrow at MY BEAUTIFUL MOMMY, a picture book to explain plastic surgery and mommy-makeovers to the short-pants set, by Dr. Michael Alexander Salzhauer.

ALL THINGS SHINING: READING THE WESTERN CLASSICS TO FIND MEANING IN A SECULAR AGE, by Hubert Dreyfus and Sean Dorrance Kelly, doesn’t find an enthusiastic champion at The New Republic.

EVERY DAY BY THE SUN: A MEMOIR OF THE FAULKNERS OF MISSISSIPPI, by Dean Faulkner Wells, is a hit at The Los Angeles Times.

And THE PEACH KEEPER, by Sarah Addison Allen, weaves through the genres on some liquid prose, says The Denver Post.

LOSING GRACELAND, by Micah Nathan, has its moments, but doesn’t pull off everything it attempts.

USA Today seems a bit noncommittal on Alice Hoffman’s latest, RED GARDEN.

The Baltimore Sun selects a pair of book, a YA novel and a teen memoir, that should resonate with adults as well.

And sex isn’t quite sexy enough or erudition erudite to the satisfaction of Slate Magazine in Deborah Lutz’s PLEASURE BOUND: VICTORIAN SEX REBELS AND THE NEW EROTICISM.

Chelsea Cain’s, NIGHT SEASONS, takes a few hits at The Washington Post.

And Victoria Patterson flounders a bit with The Sand Fransisco Chronicle’s opinion of her latest, THE VACANT PARADISE.

But Cory Taylor sparks a nice review in New Zealand for her debut, ME AND MR. BOOKER.

THE FINKLER QUESTION, the latest Man Booker Award winner, by Howard Jacobson, is found intriguing and worth the while in New Jersey.

The New Jersey Star-Ledger makes it a five for onepage deal on book reviews today.

THE QUIET WORLD: SAVING ALASKA’S WILDERNESS KINGDOM 1879-1960, by Douglas Brinkley, takes accolades in Kansas City.

Carol Leifer wins a good review after the initial hurdle this reviewer had with the title (which I love) - WHEN YOU LIE ABOUT YOUR AGE, THE TERRORISTS WIN.

Must be gonna start baseball soon.  Here’s a look at IN THE TIME OF BOBBY COX: THE ATLANTA BRAVES, THEIR MANAGER, MY COUCH, TWO DECADES AND ME, by Lang Whitaker.

Friend to AuthorScoop, Kim Michele Richardson, is featured at The Huffington Post’s book section this week with the twisty tale of how her memoir, THE UNBREAKABLE CHILD, made it into print… twice.

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A few weeks back, AuthorScoop was treated to a unique, double edition of ‘5 Minutes Alone’. Authors, Douglas Jones and Phyllis Gobbell, shared their insights on their careers in the wake of the launch of, A SEASON OF DARKNESS, their account of one of Nashville’s most notorious crimes: the murder of nine year old Marcia Trimble.

I became intrigued by the saga of a killer caught thirty three years after his crime, so I got a copy.

In a feat of careful research and thoughtful construction, Jones and Gobbell tell the tale, striking the delicate balance of respect and reporting to honor the memory of a crime that broke a family and changed a city.

I’m pleased to pass on a recommendation of, A SEASON OF DARKNESS. The story of this baffling case is well-handled and definitely worth the read.

Most all books have only two ingredients: a story and the words chosen to tell that story. For sniffing out a narrative to mine for interest, anyone with the time and inclination for the research would find a barrel for a shooting gallery and big fat fish for targets in the life story of the most famous striptease artist of all time, Gypsy Rose Lee.

So all that’s left to distinguish a writer in the telling of Gypsy’s tale are the words.

And this is where Karen Abbott soars.

AMERICAN ROSE: A NATION LAID BARE: THE LIFE AND TIMES OF GYPSY ROSE LEE takes a story that was always going to be fascinating and bawdy and fraught, and makes it lyrical. To bolster Gypsy’s nimble sidestepping of her own quantifiability, Ms. Abbott nails in place a richly textured backdrop of the wane of vaudeville, the rise and fall of burlesque, The Great Depression, and the American home front in and after World War II. With her excellent words, facts become patterns and the feel of an era is transformed into the color we recognize in our own lives, but seem to relegate to sepia whenever we dial back the time machine. The effect is that, from here on out, no pale dry history of this time in America will cut it.

No, I take it back. The times of Gypsy are not nailed in this book, they’re pinned, as surely and elegantly as one of Gypsy’s skirts. And as in a striptease, what’s revealed in the folds of this vibrant garment, are the reasons behind what we know of Gypsy Rose Lee and the whys of what we cannot know.

In choosing a non-linear format, Ms. Abbott offers a natural feel to the way we learn about Gypsy: a personal, intimate conversation; the organic way we discover a friend or a rival, or sometimes even an enemy - a story here, a rumor there, one anecdote crossing decades to a related point that explains what came before or where it all wound up.

The combination of Karen Abbott’s skills as a writer and the endlessly riveting trials and triumphs of a national icon, makes AMERICAN ROSE: A NATION LAID BARE: THE LIFE AND TIMES OF GYPSY ROSE LEE, a easy addition to the must-read list.

A unique insight from the bipolar vantage point is now just a click away.  Terri Cheney, friend to AuthorScoop and author of the wonderful MANIC: A MEMOIR, has launched Psychology Today’s newest feature, The Bipolar Lens.

With her honesty, experience, and most importantly, her dexterity with language, Terri’s column is sure to be a much needed bridge in the discourse on mental health issues.

Bookmark it.  Read it.  Come away (to return again) enlightened.

Early last month, web chatter blew up into news and a near boycott of Amazon.com over Philip R. Graves self-published book, THE PEDOPHILE’S GUIDE TO LOVE AND PLEASURE: A CHILD LOVER’S CODE OF CONDUCT. Today, Mr. Greaves finds himself in custody, awaiting extradition to Florida.  Mr. Greaves autographed and shipped a copy to the one state that would activate its provision against depicting children in a harmful relationship.

The sting was run by detectives in Polk County, Florida and, hot on the heels of Amazon pulling books of erotic incest from its sales pages and customers’ archives just a few days ago, is sure to reignite the debate on both sides of the discussion.

Disgraced small press mag Cooks Source has released a statement on the fallout over their absurdly ham-fisted reaction to charges of plagiarism. In part:

Last month an article, “American as Apple Pie — Isn’t,” was placed in error in Cooks Source, without the approval of the writer, Monica Gaudio. We sincerely wish to apologize to her for this error, it was an oversight of a small, overworked staff. We have made a donation at her request, to her chosen institution, the Columbia School of Journalism. In addition, a donation to the Western New England Food Bank, is being made in her name. It should be noted that Monica was given a clear credit for using her article within the publication, and has been paid in the way that she has requested to be paid.

This issue has made certain changes here at Cooks Source. Starting with this month, we will now list all sources. Also we now request that all the articles and informational pieces will have been made with written consent of the writers, the book publishers and/or their agents or distributors, chefs and business owners. All submission authors and chefs and cooks will have emailed, and/or signed a release form for this material to Cooks Source and as such will have approved its final inclusion. Email submissions are considered consent, with a verbal/written follow-up. Recipes created in the Cooks Source Kitchen are owned by Cooks Source and as such approval is given for chefs and cooks in our area to use them. Artwork used is created by our staff, or is royalty-free or purchased “clip-art.”

However: Cooks Source can not vouch for all the writers we have used in the past, and in the future can only check to a certain extent. Therefore, we will no longer accept unrequested articles, nor will we work with writers or illustrators unless they can prove they are reputable people, provide their sources, and who, in our estimation, we feel our readers and advertisers can trust and rely on for accuracy and originality. All sources will be listed with the articles, along with the permission, where necessary.

Read the entire statement here.

Background here.

(Hat tip: Jason)